We could say of the study of geography, as the German Romantic philosopher and poet Novalis once said of philosophy, that it embodies a kind of homesickness; "the urge to be at home everywhere in the world". It was observations of an escalating divorce of humans from nature, our original home, which partly accounted for the emergence of Romanticism at the turn of the nineteenth century. In a recent study of the rise of the 'geographical imagination' in this period, Tang's (2008) intriguing thesis is that the origin of modern geography as it arose in the work of Alexander von Humboldt and Carl Ritter can partly be found in the Naturphilosophie and landscape aesthetics of the early German Romantics. This rich body of thought provided much inspiration for these early geographical luminaries but most pertinent for our theme is that in their search for a "deeper, pre-reflexive unity" the Romantics "contributed, knowingly or unknowingly, to the making of the modern geographical imagination that was predicated on the fundamental unity of man and nature." (Tang, 2008, pp.12) Although theories of the close interrelationship between man and the earth can of course be found much earlier than the nineteenth century, it is arguably only in this period that such theories moved substantially beyond a rigidly deterministic stance represented in a somewhat encyclopaedic fashion. With the emergence of geographical science, this interrelationship was now seen as altogether broader and more complex. Indeed, for the most optimistic it suddenly appeared possible to
